设计师容易只看到材料的表面性能，如纸张的纹理、花色和颜色，没有进一步了解纸张强度、挺度等特性。我们要知道精装书的皮壳要有足够的强度，否则槽沟的地方就很容易破裂，原色纸看起来还不太明显，但染色纸就很容易被发现，影响美观；内文纸则要考虑挺度，这关乎翻阅的舒适度，太厚了会硬，太薄了又会软，薄纸双面印刷还会透色。
Designers tend to only see the surface properties of the material, such as the texture, decor, and color of the paper, without further understanding the strength, stiffness, and other characteristics of the paper. "We need to know that the cover of a hardcover book must have sufficient strength, otherwise the grooves can easily crack. The primary color paper may not seem obvious, but the dyed paper can be easily found, affecting its aesthetics."; The stiffness of the text paper should be considered, which is related to the comfort of flipping through it. If it is too thick, it will become hard, if it is too thin, it will become soft, and if it is printed on thin paper on both sides, it will also show color.
其次，他们有时不太考虑材料是否适合印刷，比如烫透纸只适合烫和压，如果用来印刷就不够强度，颜色容易剥离。再次，在选择布料和皮料时容易忽略很多细节问题，例如包边之后，边沿会不会出现毛边，是否会出现痕迹，包边厚度是否能接受，尤其是皮料一般有0.5毫米左右的厚度。
Secondly, they sometimes do not consider whether the material is suitable for printing. For example, ironing paper is only suitable for ironing and pressing. If used for printing, it is not strong enough and the color is easy to peel off. Thirdly, it is easy to overlook many details when selecting fabrics and leather materials, such as whether there will be burrs on the edges, traces, and acceptable thickness of the wrapping, especially when leather materials generally have a thickness of about 0.5 mm.
此外，皮料也较柔软，没什么挺度，设计师是否能接受这样的感觉。他们比较容易忽略屏幕图像和印刷实物的色差，选择的材料可能无法做出想要的效果，比如看到的红色图片印在偏蓝的纸上就会有偏色，我们一定要做好预估。
In addition, the leather material is also relatively soft and has no stiffness. Can the designer accept this feeling. "They are more likely to ignore the color difference between the screen image and the printed object, and the selected materials may not be able to achieve the desired effect. For example, when a red image is printed on bluer paper, there will be color bias. We must make a good estimate.".
于如何避免印坏的情况，除了注意前面提到的问题，必要时要找到有相关经验的同事多交流，以及参考相关的样品，实在不行，就要做一个样品进行测试。面对陌生或新的材料和工艺，谁也不能凭一眼就判断出可行性或印刷效果。与同行沟通经验、总结、分享、领悟等都是很重要的。
As for how to avoid printing damage, in addition to paying attention to the issues mentioned above, it is necessary to find colleagues with relevant experience to communicate and refer to relevant samples when necessary. If this is not feasible, a sample should be made for testing. In the face of unfamiliar or new materials and processes, no one can judge the feasibility or printing effect at a glance. It is important to communicate experiences, summarize, share, and comprehend with peers.
此外
济南彩色设计印刷厂家提醒您，了解印刷理论是一回事，而熟悉印刷操作又是另一回事。就算你能把印刷知识倒背如流，也不能保证在环环相扣的印刷流程中不会“翻车”，何况印刷材料和工艺推陈出新，灵感不断叩击创意的天花板，你总摁不住想进行印刷实验的手。
In addition, Jinan Color Design and Printing Factory reminds you that understanding printing theory is one thing, while being familiar with printing operations is another. Even if you can recite printing knowledge like a stream, there is no guarantee that you will not "roll over" in the interlocking printing process. Moreover, printing materials and processes are constantly innovating, and inspiration continues to tap the ceiling of creativity, making it impossible to hold down the hand that wants to conduct printing experiments.
Therefore, in the design of printed works, sharing printing experience is very important, especially the warning signs erected by predecessors on road sections prone to printing accidents and exploration strategies for extreme landscapes. For more relevant content, please visit our website https://www.sdhzyw.com Consult and understand!
